Milton Brown

Trackimage Playbut Trackname Playbut Trackname
Mama Don't Allow It 02:42 Tools
Taking Off 02:48 Tools
Garbage Man Blues 02:42 Tools
Keep a Knockin' 02:33 Tools
Talking About You 02:59 Tools
Hesitation Blues 02:46 Tools
Easy Ridin' Papa 02:36 Tools
The Eyes of Texas 03:07 Tools
Fan it 02:39 Tools
Texas Hambone Blues 02:47 Tools
You're Bound to Look Like a Monkey 02:29 Tools
Keep a-Knockin' 02:36 Tools
Show Me the Way to Go Home 02:39 Tools
Girl of My Dreams 03:25 Tools
Take It Slow and Easy 03:17 Tools
Four Five Or Six Times 03:19 Tools
Somebody's Been Using That Thing 02:54 Tools
Sweet Georgia Brown 02:58 Tools
The Waltz You Saved for Me 03:02 Tools
My Galveston Gal 03:02 Tools
I Had Someone Before You 02:46 Tools
St. Louis Blues 03:15 Tools
Just Sitting on Top of the World 02:52 Tools
Chinese Honeymoon 03:14 Tools
Sweet Jennie Lee 03:13 Tools
Chinatown, My Chinatown 02:58 Tools
A Good Man Is Hard to Find 02:54 Tools
You're Tired Of Me 03:01 Tools
Shine On, Harvest Moon 03:11 Tools
I'll Be Glad When You're Dead, You Rascal, You 03:23 Tools
Black & White Rag 02:59 Tools
Brownie Special 03:30 Tools
I'll String Along With You 03:00 Tools
Wheezie Anna 03:07 Tools
Brownie's Stomp 00:00 Tools
The Hesitation Blues 02:43 Tools
A Thousand Goodnights 03:09 Tools
Beale Street Mama 02:53 Tools
Little Betty Brown 02:51 Tools
Sadie Green (The Vamp of New Orleans) 02:48 Tools
Down By the Ohio 02:49 Tools
My Mary 00:00 Tools
Sunbonnet Sue 00:00 Tools
Under the Double Eagle 02:45 Tools
Brownies Stomp (Instrumental) 02:59 Tools
The Yellow Rose Of Texas 03:22 Tools
I've Got the Blues for Mammy 02:47 Tools
Down by the O-H-I-O 02:48 Tools
When I Take My Sugar to Tea 00:00 Tools
Yes, Sir 02:37 Tools
Stay on the Right Side 02:54 Tools
Falling From A Great Height 03:42 Tools
My Precious Sonny Boy 02:39 Tools
Some of These Days 02:39 Tools
I Love You 00:00 Tools
Pray for the Lights to Go Out 00:00 Tools
When I'm Gone Don't You Grieve 00:00 Tools
Put on Your Old Grey Bonnet 00:00 Tools
Do the Hula Lou 00:00 Tools
Oh You Pretty Woman 02:39 Tools
Trinity Waltz 00:00 Tools
In el Rancho Grande 00:00 Tools
Right or Wrong 00:00 Tools
Oh! You Pretty Woman 00:00 Tools
This Morning, This Evening, So Soon 00:00 Tools
Four, Five or Six Times 00:00 Tools
Joe Turner Blues 00:00 Tools
Get Along, Cindy 00:00 Tools
Swinging on the Garden Gate 00:00 Tools
Loveland and You 00:00 Tools
Oh, You Pretty Woman 02:45 Tools
Losing My Sense of Direction 03:11 Tools
Beautiful Texas 00:00 Tools
The Sheik of Araby 00:00 Tools
Loveless Love 00:00 Tools
The Object of My Affection 00:00 Tools
Crafton Blues 00:00 Tools
Avalon 00:00 Tools
Who's Sorry Now 00:00 Tools
Alice Blue Gown 00:00 Tools
Where You Been So Long, Corrine? 00:00 Tools
Cheesy Breeze 00:00 Tools
Wabash Blues 00:00 Tools
Love in Bloom 00:00 Tools
Nancy Jane 03:13 Tools
St Louis Blues 03:14 Tools
Just a Dream 00:00 Tools
Song of the Wanderer 00:00 Tools
Am I Blue 00:00 Tools
Cielito Lindo 00:00 Tools
Memphis Blues 00:00 Tools
Keep a Kockin' 00:00 Tools
Mexicali Rose 00:00 Tools
Washington and Lee Swing 00:00 Tools
The Roseland Melody 00:00 Tools
Down by the O-Hi-O 02:50 Tools
Black and White Rag 00:00 Tools
Somebody Stole My Gal 00:00 Tools
The Sweetheart of Sigma Chi 03:06 Tools
I Had Someone Before I Had You 03:06 Tools
If You Can't Get Five Take Two 00:00 Tools
Eyes of Texas 02:50 Tools
Yes Sir! 02:37 Tools
Copenhagen 00:00 Tools
Taking Off (1935) 00:00 Tools
I'll Be Glad When You're Dead, You Rascal You 00:00 Tools
The House at the End of the Lane 00:00 Tools
Going Up Brushy Fork 00:00 Tools
Hestation Blues (1936) 02:45 Tools
I'll Be Glad When You're Dead You Rascal You 00:00 Tools
Easy Ridin Papa 02:37 Tools
Darktown Strutters' Ball 00:00 Tools
In the Shade of the Old Apple Tree 02:37 Tools
Sweet Jennie Lee! 00:00 Tools
Our Baby Boy 03:10 Tools
Tired of the Same Thing All the Time 00:00 Tools
La Golondrina 00:00 Tools
You Rascal You 00:00 Tools
Goofus 02:37 Tools
Mama Don't Allow It (1936) 03:06 Tools
Carry Me Back to the Lone Prairie 00:00 Tools
Mama Don't Allow It (Brown) 00:00 Tools
Louise Louise Blues 02:37 Tools
When It's Harvest Time, Sweet Angeline 02:37 Tools
Baby Keep Stealin' 03:10 Tools
An Old Water Mill by a Waterfall 03:18 Tools
The Wheel of the Wagon Is Broken 03:10 Tools
Mama Don´t Allow It 02:49 Tools
The Old Grey Mare 00:00 Tools
One of Us Was Wrong 00:00 Tools
Taking Off (Dunn) 02:46 Tools
Mama Don't ALlow 03:10 Tools
Get Along Cindy 00:00 Tools
Ida! Sweet as Apple Cider 00:00 Tools
Stay on the Right Side, Sister 00:00 Tools
Shine on Harvest Moon 00:00 Tools
Honky Tonk Blues 00:00 Tools
Louise, Louise Blues 00:00 Tools
Confessin' (That I Love You) 00:00 Tools
Bring It on Down to My House Honey 00:00 Tools
Takin' Off 00:00 Tools
Cross Patch 00:00 Tools
Swinging on the Garde Gate 00:00 Tools
I Can't Give You Anything But Love 00:00 Tools
How Come You Do Me Like You Do? 00:00 Tools
Oy You Pretty Woman 00:00 Tools
The Musical Brownies' Theme Song 00:00 Tools
  • 12,904
    plays
  • 2,223
    listners
  • 12904
    top track count

Milton Brown (September 7, 1903–April 18, 1936) was an American band leader and vocalist who co-founded the genre of Western swing. His band was the first to fuse hillbilly hokum, jazz, and pop together into a unique, distinctly American hybrid, thus giving him the nickname, "Father of Western Swing". The birthplace of Brown's upbeat "hot-jazz hillbilly" string band sound was developed at the Crystal Springs Dance Hall in Fort Worth, Texas from 1931 to 1936. Brown's music inspired the great string jazz musicians from Europe, Django Reinhardt and Stephane Grapelli who in 1935 formed the Hot Club de Paris quintet. Along with Bob Wills—whom he performed with at the beginning of this career—Brown developed the sound and style of Western swing in the early 1930s; and for a while he and his band, Milton Brown and his Musical Brownies, were more popular than Bob Wills and his Texas Playboys. Brown's career was cut short in 1936 when he died in a car accident, just as he was poised to break into national stardom. Born in Stephenville, Texas in 1903, Brown moved to Fort Worth, Texas in 1918. After graduating from Fort Worth's Arlington Heights High School in 1925, he worked as a cigar salesman, but he lost his job when the Great Depression hit in the late '20s. Brown began his musical career in 1930, when he met Bob Wills at a local Fort Worth dance. The Wills Fiddle Band was a twin fiddle band made up of Wills and Herman Arnspiger. They were performing at a local Fort Worth dance and Brown joined the group on a chorus of "St. Louis Blues". Wills was impressed with Brown's voice and immediately asked him and his guitarist brother, Derwood, to join the band. The Wills Fiddle Band played medicine shows around Texas and landed a regular radio spot on WBAP, where they played a show sponsored by Aladdin Lamp Company, which had the band change its name to the Aladdin Laddies. Light Crust Doughboys In early 1931, the group was hired by the Light Crust Flour Company—which was run by Burrus Mill and Elevator Company—to appear daily on the radio station KFJZ. The company, which was managed by W. Lee O'Daniel who also hosted the radio shows, had the group rename themselves the Light Crust Doughboys. The Doughboys were an instant success, and soon O'Daniel moved them first to another radio station, then syndicated the program statewide. The Doughboys were playing cowboy songs, jazz, blues, and popular songs—a repertoire so diverse that the band's audience continued to expand. In February 1932, they recorded a single for Victor under the name the Fort Worth Doughboys. The band was playing dance music and wanted to play at dances, but O'Daniel was reluctant to let the group play outside of their radio shows. He also was hesitant to pay them much money, which greatly angered Brown. In September 1932, in need of additional money to support his aging parents, Brown left the band after he had an argument about money with O'Daniel. After leaving the Light Crust Doughboys, Brown formed the world's first Western swing band in Fort Worth, Texas, the Musical Brownies. The first incarnation of the Brownies featured Brown, guitarist Derwood Brown, bassist Wanna Coffman, Ocie Stockard on tenor banjo, and fiddle player Jesse Ashlock. Shortly afterward, pianist Fred “Papa” Calhoun and fiddle player Cecil Brower (who replaced Ashlock) joined the group. Like the Light Crust Doughboys, the Musical Brownies played a mixture of country, pop, and jazz, but the Brownies had a harder dance edge than their predecessors. Almost immediately, Brown and His Musical Brownies were a huge success. The group had a regular spot on the radio station KTAT and drew large crowds to various Texas and Oklahoma dance halls. Their home venue, Crystal Springs Dance Hall in Fort Worth, was sold out nearly every Saturday night from 1933 to 1936. Brown and Wills remained friends; and Wills' Waco, Texas-based band, the Playboys, was modeled after the Musical Brownies. In April 1934, the band recorded eight songs for Bluebird; and then another ten recordings for the label in August. Brown and his talented group of musicians were responsible for numerous innovations, notably in late 1934, the Brownies added the true pioneer of the world’s first electrically amplified steel guitar—Bob Dunn. Dunn was a jazz guitarist who first heard electric steel guitar played by a down and out blues performer on the Coney Island boardwalk—Dunn's innovative steel guitar solo riffs singlehandedly created country & western's most recognized solo instrumental sound. His upbeat "Taking Off" instrumental is an excellent example of his Jack Teagarden-inspired solos; a towering inspiration to many Western swing, country and even rock guitarists in the years to follow. In January 1935, Brown's band signed with Decca records and recorded 36 songs for the label with Brown singing lead vocals on most all of the tracks. Released as singles over the course of 1935, the songs helped establish the band as the most popular Western swing band in Texas. In March 1936, Brown and his Musical Brownies travelled to New Orleans to record their second set of sessions for Decca. By this time, fiddler Brower had been replaced by Cliff Bruner. At these sessions, the Brownies cut about 50 songs, which were issued throughout 1936 and 1937. In April 1936, Brown suffered a horrific car accident, which may have been attributed to his habitual falling asleep at inopportune times, possibly narcolepsy. Although he survived the impact and was expected to recover, he died five days later from pneumonia. Brown's single car accident occurred on Fort Worth's Jacksboro Highway after the car he was driving hit a telephone pole. A 16-year-old girl who slipped away from her house without her parents' knowledge to go to Crystal Springs Dance Hall with friends was killed in the crash. Brown had agreed to give the girl a ride home. Brown was taken to Fort Worth's Methodist Hospital where his injuries were initially believed to not be life-threatening. However, one of his broken ribs had punctured a lung and pneumonia set in and he died five days later. The site of the crash was in the southbound lane of Jacksboro Highway directly across the street from the Avalon Motel which is still standing today. Following Brown's death, Derwood Brown kept the Musical Brownies together for two years, recording a dozen sides for Decca in 1937. At the time of his death, Brown rivaled Bob Wills in popularity. Although he never became as famous, he was vitally important in the development of Western swing—simply put, without Milton Brown, the genre would likely not exist. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.