| Trackimage | Playbut | Trackname | Playbut | Trackname |
|---|---|---|---|---|
| 15305292 | Play | Golden Ears For One Trick Pony | 03:02 Tools | |
| 15305290 | Play | We're Both Waiting (Dorian Concept Remix) | 03:32 Tools | |
| 15305288 | Play | Im Halbhohen Gras (Caural Remix) | 03:53 Tools | |
| 15305289 | Play | Pull It Out Somewhen (Dimlite's the Helmut Grokenberger of this Remix) | 04:58 Tools | |
| 15305291 | Play | A Fancy Friendship (Ritornell Remix) | 04:50 Tools | |
| 15305295 | Play | Im Halbhohen Gras | 04:49 Tools | |
| 15305300 | Play | Get Up, It's Crumblingday (J. Sayne Dub) | 03:36 Tools | |
| 15305297 | Play | Get Up, It's Crumblingday | 03:38 Tools | |
| 15305293 | Play | Pull It Out Somewhen | 04:40 Tools | |
| 15305296 | Play | A Fancy Friendship | 03:54 Tools | |
| 15305294 | Play | Sie Seh'n Es Ab Und Zu | 03:21 Tools | |
| 15305299 | Play | Tadd's Children Lost In Coutances | 05:13 Tools | |
| 15305302 | Play | Treehouse, Leaves Blowing | 03:55 Tools | |
| 15305298 | Play | We Are Both Waiting | 04:35 Tools | |
| 15305307 | Play | Crosswinds | 03:03 Tools | |
| 15305308 | Play | Golden Ears For One Trick Pony (Jahbitat's Hearing Aid For Triple Trick Pony Remix) | 04:51 Tools | |
| 15305309 | Play | Sie Seh'n Es Ab Und Zu (Remix by The Tomorrow People aka Soul Sociedad) | 03:24 Tools | |
| 53784272 | Play | Were Both Waiting (Dorian Concept Remix) | 03:24 Tools | |
| 77060393 | Play | Seams of the Days / Part One | 03:24 Tools | |
| 53784273 | Play | Hearing Aid For Triple Trick Pony [Jahbitat remix] (MAH Experimental BBC Radio1 Cut) | 03:24 Tools | |
| 53784274 | Play | Adventures In The Land Of Music | 03:24 Tools | |
| 53784275 | Play | Tadd’s Children Lost In Coutances | 03:24 Tools | |
| 53784276 | Play | [MAH.cut] - Hearing Aid For Triple Trick Pony [Jahbitat remix] | 03:24 Tools |
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Misel Quitno is another moniker in Dimitri Grimm's name-arsenal. Mainly known for his elaborate ProgHiphopJazzElectronica-productions as Dimlite, Grimm here skips on drawn-out arranging, on sampling bits off other people's records and seemingly also renounces to fulfill any noble purposes. The album, described by the artist as 'drafts... the score to an imaginary film, shot on Super 8, or a sample library, done for the pure fun of it', is a mixed bag of tricks, kept together by a dry and minimalistic aesthetic. The wafting synths, the knuckles knocking on wood, the layered guitars and Tubas indeed might have worked as the backdrop to a 1960's avant-garde romantic psycho-tragicomedy. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.