Morgan Packard

Trackimage Playbut Trackname Playbut Trackname
Airships Fill the Sky 00:00 Tools
Kelp Sway 00:00 Tools
Mink Hills 00:00 Tools
I Think I... 00:00 Tools
A Place Worth Keeping, Part 1 00:00 Tools
They Will Rise Forever 00:00 Tools
Dappled 00:00 Tools
Unveil 00:00 Tools
Waterbugs 00:00 Tools
Insist 00:00 Tools
A Place Worth Keeping, Part 2 00:00 Tools
Allow 00:00 Tools
Persist 00:00 Tools
Although 00:00 Tools
Window 00:00 Tools
Again 00:00 Tools
Explain 00:00 Tools
Elsewhere 00:00 Tools
Reveal 00:00 Tools
Moment 00:00 Tools
Apple Pie 00:00 Tools
Green 00:00 Tools
Window (Original Mix) 00:00 Tools
Green (Minlove Version) 00:00 Tools
06. Sluice 00:00 Tools
Frozen 00:00 Tools
Morgan Packard Live from Noise! Festival 00:00 Tools
Green - Original Mix 00:00 Tools
live at Noise! fest (excerpt) 00:00 Tools
Sluice 00:00 Tools
Billow 00:00 Tools
Koala Party 00:00 Tools
Frozen (Segeke Remix) 00:00 Tools
The Bunker Podcast 24: Morgan Packard 00:00 Tools
Ready 00:00 Tools
Live at Plateaux Festival 00:00 Tools
Balm 00:00 Tools
Live from Plateaux Festival 00:00 Tools
Live from Noise! Festival 00:00 Tools
Window - Original Mix 00:00 Tools
Hibernate 00:00 Tools
A Long Time Ago 00:00 Tools
Live at #3b 00:00 Tools
White On White 00:00 Tools
Apple Pie - Original Mix 00:00 Tools
Tropical Ridges 00:00 Tools
Big Fake Tears 00:00 Tools
Window Nature 00:00 Tools
8 00:00 Tools
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Morgan Packard, a sound artist from Boston, New England, United States, has been working on electronic music in various forms for over a decade, using his classical and jazz training to inform what he does in subtle ways - whether it's drum and bass, a soundtrack for a modern dance performance, or his versions of abstract techno and ambient sound. While his music may be wrangled into the minimal category, he is actually eschewing minimal tropes in favor of highly wrought arrangements - fitting multiple sensibilities into music that could easily be mistaken for existing genres, though when explored carefully, hardly fits into any. Using the idea of techno/house/breakbeat music as a beginning, not an end unto itself, Morgan arrives at a sound which manages to include various ideas from the worlds of electronics, jazz, and classical in a manner that has no hint of experimentation, but rather a purposeful, concrete rendering of his vision - combining a composer's heart with a programmer's brain. Morgan Packard's debut solo full-length, Airships Fill the Sky, finds him folding cello, accordion and saxophone into a decidedly digital context - involving fragmented elements of techno, house, breakbeat oriented microsound and post-ambient tendencies - retaining his acoustic sensibilities in earnest, while taking advantage of his long-time immersion in a variety of electronic genres. While he has further honed the melodic, textural meanderings from some of his past work, here, Packard returns to his rhythmic roots, and continues to filter his jazz and classical background through everything he does. Deftly using his self-made software techniques, he puts these pieces together with a view towards the hypnotic power of the loop, coupled with a distancing from it. Remembering its importance as the structural basis of a musical landscape which has influenced him, he allows his loops to take on new properties, evolving incrementally and moving further from their origins. http://www.morganpackard.com Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.