Peter von Winter

Trackimage Playbut Trackname Playbut Trackname
Andante grazioso aus der Sinfonia concertante B-Dur 00:00 Tools
Polacca aus dem Flötenkonzert Nr. 2 d-moll 00:00 Tools
Allegro moderato aus der Sinfonia Concertante B-Dur 00:00 Tools
1. Satz aus dem Oboenkonzert Nr. 2 F-Dur 00:00 Tools
Sinfonia 00:00 Tools
Romance und Rondo aus dem Oboenkonzert Nr.2 F-Dur 00:00 Tools
Romance und Rondo aus dem Oboenkonzert Nr. 2 F-Dur 00:00 Tools
Il ratto di Proserpina, Act I: Trio: Mi lasci, o madre amata 00:00 Tools
II. Romance 00:00 Tools
Zaira, Act II: Aria: Sommo Dio, che in sen mi vedi 00:00 Tools
Act II No. 13: Recitativo: Mora l'empio; mora. (People, Seide, Maometto, Palmira) 00:00 Tools
III. Polacca 00:00 Tools
Act II No. 12: Gran scena: In questo luogo orrendo (Seide, Palmira) 00:00 Tools
I. Allegro 00:00 Tools
La grotta de Calipso: Jagerchor 00:00 Tools
1.Satz aus dem Oboenkonzert Nr.2 F-Dur 00:00 Tools
Act I No. 4: Recitativo e duetto: Ah! Quali accenti di minaccia (Palmira, Seide, Omar) 00:00 Tools
Flute Concerto No. 1 in D minor 00:00 Tools
II. Adagio 00:00 Tools
Flute Concerto No. 2 In D Minor: I. Allegro 00:00 Tools
Flute Concerto No. 2 In D Minor: II. Adagio 00:00 Tools
III. Rondo 00:00 Tools
Act I No. 7: Scena dopo il duetto: Inesorabil vecchio! (Maometot, Omar) 00:00 Tools
Bassoon Concertino in C Minor 00:00 Tools
Act II No. 14: Finale: Ognun tremi; a me si prostri e creda. (Maometto, People) 00:00 Tools
Act I No. 1: Introduzione: Possenti Dei d'Arabia (People, Priests, Zopiro, Fanor) 00:00 Tools
Act I No. 8: Quartetto nel finale: Lascia che un bacio imprima (Palmira,...) / Scena ultima: Fermate! L'inganno in pria mirate (Zopiro,...) 00:00 Tools
Act II No. 13: Aria: Aggiungi colpe a colpe (Palmira, Maometto, Chorus) 00:00 Tools
Act I No. 6: Quartetta: Ah! Qual minaccia e sdegno (Palmira, Seide, Maometto, Omar) / Recitativo: E udrai Maometto? (Fanor, Zopiro) 00:00 Tools
Act I No. 7: Duetto: In te punir domani (Maometto, Zopiro, Omar) 00:00 Tools
Act II No. 10: Recitativo e duetto: Giovane avventurato! (Maometto, Seide) 00:00 Tools
Act I No. 5: Coro: La citta che a te si schiude (Chorus of Soldiers, People) 00:00 Tools
Act I No. 2: Recitativo dopo la cavatina: D'un tiranno in potere (Zopiro, Palmira, Fanor, Omar) 00:00 Tools
Septet in E-Flat Major, Op. 10: II. Andantino 00:00 Tools
Act I No. 3: Duetto: Cedi: e la sua vendetta (Omar, Zopiro) 00:00 Tools
Act II No. 12: Terzetto: Dei che piangendo imploro (Zopiro, Seide, Palmira, Fanor) 00:00 Tools
Act II No. 12: Recitativo dopo il quintetto: Donde avvien mai ch'io tremo (Maometto, Omar) 00:00 Tools
Zaire: Aria: Sommo Dio, che in sen mi vedi 00:00 Tools
Oboe Concerto No. 2 in F Major: I. Allegro 00:00 Tools
Bassoon Concertino in C Minor: I. Allegro moderato 00:00 Tools
Flute Concerto No. 2 In D Minor: III. Polacca 00:00 Tools
Bassoon Concertino in C Minor: II. Adagio 00:00 Tools
Bassoon Concertino in C Minor: III. Tempo Primo 00:00 Tools
Andante grazioso de la symphonie concertante en si bémol majeur 00:00 Tools
Act I No. 5: Scena ed aria: Popolo generoso, antichi amici (Maometto, Chorus) 00:00 Tools
Allegro moderato de la symphonie concertante en si bémol majeur 00:00 Tools
Act II No. 9: Introduzione: Prima, che giunto sia (Omar, Chorus, Maometto) 00:00 Tools
Act II No. 12: Quintetto: I figli miei...che intendo? (Zopiro, Seide, Palmira, Fanor, Omar, Chorus) 00:00 Tools
Act I No. 2: Coro e cavatina: Quel bel ciglio ritorni sereno (Chorus, Palmira) 00:00 Tools
Act I No. 8: Finale: Come salvar la patria (Councillors, Fanor, Maometto) 00:00 Tools
Act II No. 13: Recitativo: Felice! ...Oh! Mostro del mio sangue tinto! (Palmira, Maometto, Omar) 00:00 Tools
Act I No. 5: Scena dopo la cavatina: Ite, invitti guerrieri (Maometto, Seide, Palmira) 00:00 Tools
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Peter Winter (baptized 28 August 1754 – 17 October 1825) was a German opera composer who followed Mozart and preceded Weber, acting a bridge between the two in the development of German opera. (His name is sometimes given as Peter von Winter.) Winter was born at Mannheim. A child prodigy on the violin, he played in the Mannheim court orchestra. He studied with Salieri in Vienna. Moving to Munich in 1778, he became director of the court theatre at which point he started to write stage works, at first ballets and melodramas. He became Vice-Kapellmeister in Munich in 1787 and Kapellmeister in 1798, a title he kept for the rest of his life. Of more than thirty operas written by Winter between 1778 and 1820 very few were unsuccessful. His most popular work, Das unterbrochene Opferfest, was produced in 1796 at Vienna, where in 1797-1798 he composed Die Pyramiden von Babylon and Das Labyrinth, both written for him by Emanuel Schikaneder, in continuation of the story of Mozarts Die Zauberflöte. He returned to Munich in 1798. Five years later he visited London, where he produced La grotta di Calipso in 1803, Il ratto di Proserpina in 1804, and Zaira in 1805, with great success. Maometto (1817) is probably his most famous opera, still performed sometimes and it exists in an excellent recording in CD. His last opera, Der Sänger und der Schneider, was produced in 1820 at Munich, where he died. Besides his dramatic works he composed concertos for wind and orchestra and some sacred music, including 26 masses. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.