Phillip Roebuck

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Jackass Blues 00:00 Tools
Monkey Fist 00:00 Tools
Can I Keep You 00:00 Tools
Black Jack mama 00:00 Tools
Summons Song 00:00 Tools
Little Bo Peep 00:00 Tools
Coward Day 00:00 Tools
Be My Little Widow 00:00 Tools
Movement 00:00 Tools
In The Hole 00:00 Tools
Wheatback Penny 00:00 Tools
Come On Home 00:00 Tools
The Banyan Tree 00:00 Tools
Pocket Knife 00:00 Tools
Carolina Requiem 00:00 Tools
Running Home 00:00 Tools
Cupid's Gun 00:00 Tools
Rattleback Blues 00:00 Tools
Carrick Bend 00:00 Tools
Travel Light 00:00 Tools
Braxton Hicks 00:00 Tools
Love For The Damned 00:00 Tools
Amanda 00:00 Tools
Milk Rag 00:00 Tools
She's a Dollar He's a Dime 00:00 Tools
Somebody Take Me Home 00:00 Tools
Box Peen Hammer 00:00 Tools
Cotton Eyed Joe 00:00 Tools
Too Much Information 00:00 Tools
Ball Turrett Blues 00:00 Tools
The Mermaid Song 00:00 Tools
Boil Them Cabbage Down 00:00 Tools
Tire Swing Reel 00:00 Tools
Kings County Breakdown 00:00 Tools
Sparrow In The Rafters 00:00 Tools
Liza Jane 00:00 Tools
La Rambla 00:00 Tools
Come and Go with Me 00:00 Tools
Lonesome Dream 00:00 Tools
Rusty Cage Rag 00:00 Tools
Eastern Stomp 00:00 Tools
Simply Darkness 00:00 Tools
Lucky One 00:00 Tools
Pungo Serenade 00:00 Tools
Lay Me Down 00:00 Tools
Tom Dooley 00:00 Tools
Soldier's Joy 00:00 Tools
Airbus Breakdown 00:00 Tools
Mush 00:00 Tools
Mole In The Ground 00:00 Tools
Midnight March 00:00 Tools
Be My Little Widow (Live) 00:00 Tools
I Will Still Be Your Man 00:00 Tools
Dig Up The Hatchet 00:00 Tools
The Woman You've Become 00:00 Tools
Them Eyes 00:00 Tools
I'll Only Let You Down 00:00 Tools
Anthem for the Gone 00:00 Tools
No April Sun 00:00 Tools
Cantelope Blues 00:00 Tools
Gunshy 00:00 Tools
Another Dance 00:00 Tools
Unfound 00:00 Tools
Out of Nowhere 00:00 Tools
Under the Matchlight 00:00 Tools
Sky to Blue 00:00 Tools
We Got Time 00:00 Tools
Soldiers Joy 00:00 Tools
All Eyes Down 00:00 Tools
Heavy Black Bears Dream 00:00 Tools
Pull Off Your Water 00:00 Tools
Lonesome Road Blues 00:00 Tools
She Aint Nobody's Baby (She's Somebody's Mama) 00:00 Tools
Last Fair Deal Gone Down 00:00 Tools
Cripple Creek 00:00 Tools
Cindy 00:00 Tools
She Ain't Nobody's Baby (She's Somebody's Mama) 00:00 Tools
Lonesome Road Blues 1.aif 00:00 Tools
Ball Turret Blues 00:00 Tools
Slow Down I'm In A Hurry 00:00 Tools
Little Bo Beep 00:00 Tools
Carrick Band 00:00 Tools
Slow Down, I'm in a Hurry 00:00 Tools
Jacass Blues 00:00 Tools
Little Bo Peep.aif 00:00 Tools
Cotton Eye Joe 00:00 Tools
tomdooley 00:00 Tools
5 Audio Track.aiff 00:00 Tools
Movement.aif 00:00 Tools
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PHILLIP ROEBUCK is a Virginia-born, New York-bred songster and bare bones one-man band. With punk rock intensity, Roebuck stomps out beats on a classic, depression-era drum apparatus, while strumming the banjo with a fierce ragged-but-right style. Some might call it Roots music for the new millennium. Although he has played over a thousand shows in venues and on festival stages in the U.S. and Europe, Roebuck can just as easily be seen performing on a street corner in New Orleans or New York City or Norfolk, where he has spent nearly a decade honing his skills as a one-man band. Roebuck was born in Norfolk, VA into a huge musical family (“I think I have 60 cousins, something like that”), so big that they have a music festival every July out in Pungo, a rural county of his hometown, Virginia Beach. He was also an only child. His father, a singer-songwriter, moved Roebuck and his mother, then a hairstylist, traveled around the country in pursuit of a musical career. By the time they moved back to Virginia Beach, when Roebuck was in junior high, he had attended 19 different schools. In high school Roebuck was versatile; surfing, performing in theater, and by then, he was also performing in clubs he wouldn’t have been allowed into otherwise. He was also constantly songwriting. “It always just flowed for me, although the better songs were harder to come by…but you write 10 or 12 of them and boom, you find a good one.” Roebuck was influenced by folk (Cat Stevens, Jim Croce, and the music his father was making) as well as punk rock. Punk he was introduced to by his Uncle Kenny, whose band had once opened up for the Ramones. After high school, Roebuck went to Philly to attend acting school. After a couple years, he quit, moved back to Hampton Roads, and started his first band, The Hollowbodies, with his cousin Shea Roebuck. In 1993 the two moved to New York and not much later signed with A&M Records. Phillip also signed as a songwriter for Warner Brothers. He was only 23. But then the label was bought by Universal the same month The Hollowbodies’ debut single was to be released. One minute the Roebucks were ready to hear their songs on the radio, get the acclaim they so wanted. And the next, there was nothing. After The Hollowbodies split, Roebuck started performing in the New York City streets. He taught himself to play the banjo by playing for 8 hours a day every day for 30 days in a row, down in the subway. And slowly, he started building the one-man band, adding in whatever he needed to get the job done; a suitcase as a bass drum, drums on his back, a cymbal here or there. Come to find out he was once hired by Spike Lee to perform in a commercial and talk about being a street musician–the spot aired during the 2000 Academy Awards. “Playing on the street has always been a holy thing to me. Those are real musicians. It was never the opposite, like, oh that’s pan-handling–which some people see it that way. It was always, to me, the pinnacle. If you could play in the street, you must be really good.” He started playing with a band called Brooklyn Browngrass. He fell in love in Brooklyn, married, and had two babies. He then left Brooklyn and moved to LA in 2003 to pursue acting. “It was awesome. I was doing really well in LA. My acting career was taking off, my music was jamming, I was going to Europe a lot. Good things were happening. And then my wife left me. Took the babes. Moved back to Seattle, left me in LA. And it shattered me.” He wrote Fever Pitch in his sadness, and in 2006 he impressed audio engineer Steve Albini who offered to record it. He moved back to New York for another short period of time. Then he got sick and moved back to his home in Virginia. In the course of all that time Roebuck recorded five solo albums and over a dozen more with numerous bands. In 2009, he wrote an operetta for Julliard. Phillip Roebuck has built a recording studio at his mother’s home in Hampton Roads, but you can still find him playing the streets of Norfolk with his quintessential folk/punk sound. http://www.philliproebuck.com/ Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.