Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
40988834 | Play | Jackass Blues | 00:00 Tools | |
40988835 | Play | Monkey Fist | 00:00 Tools | |
40988838 | Play | Can I Keep You | 00:00 Tools | |
40988836 | Play | Black Jack mama | 00:00 Tools | |
40988837 | Play | Summons Song | 00:00 Tools | |
40988839 | Play | Little Bo Peep | 00:00 Tools | |
40988840 | Play | Coward Day | 00:00 Tools | |
40988841 | Play | Be My Little Widow | 00:00 Tools | |
40988842 | Play | Movement | 00:00 Tools | |
40988843 | Play | In The Hole | 00:00 Tools | |
40988844 | Play | Wheatback Penny | 00:00 Tools | |
40988845 | Play | Come On Home | 00:00 Tools | |
40988846 | Play | The Banyan Tree | 00:00 Tools | |
40988850 | Play | Pocket Knife | 00:00 Tools | |
40988847 | Play | Carolina Requiem | 00:00 Tools | |
40988848 | Play | Running Home | 00:00 Tools | |
40988857 | Play | Cupid's Gun | 00:00 Tools | |
40988849 | Play | Rattleback Blues | 00:00 Tools | |
40988851 | Play | Carrick Bend | 00:00 Tools | |
40988852 | Play | Travel Light | 00:00 Tools | |
40988853 | Play | Braxton Hicks | 00:00 Tools | |
40988856 | Play | Love For The Damned | 00:00 Tools | |
40988854 | Play | Amanda | 00:00 Tools | |
40988855 | Play | Milk Rag | 00:00 Tools | |
40988858 | Play | She's a Dollar He's a Dime | 00:00 Tools | |
40988862 | Play | Somebody Take Me Home | 00:00 Tools | |
40988859 | Play | Box Peen Hammer | 00:00 Tools | |
40988860 | Play | Cotton Eyed Joe | 00:00 Tools | |
40988861 | Play | Too Much Information | 00:00 Tools | |
40988863 | Play | Ball Turrett Blues | 00:00 Tools | |
40988864 | Play | The Mermaid Song | 00:00 Tools | |
40988867 | Play | Boil Them Cabbage Down | 00:00 Tools | |
40988866 | Play | Tire Swing Reel | 00:00 Tools | |
40988865 | Play | Kings County Breakdown | 00:00 Tools | |
40988868 | Play | Sparrow In The Rafters | 00:00 Tools | |
40988869 | Play | Liza Jane | 00:00 Tools | |
40988870 | Play | La Rambla | 00:00 Tools | |
40988877 | Play | Come and Go with Me | 00:00 Tools | |
40988871 | Play | Lonesome Dream | 00:00 Tools | |
40988872 | Play | Rusty Cage Rag | 00:00 Tools | |
40988873 | Play | Eastern Stomp | 00:00 Tools | |
40988874 | Play | Simply Darkness | 00:00 Tools | |
40988884 | Play | Lucky One | 00:00 Tools | |
40988875 | Play | Pungo Serenade | 00:00 Tools | |
40988885 | Play | Lay Me Down | 00:00 Tools | |
40988876 | Play | Tom Dooley | 00:00 Tools | |
40988878 | Play | Soldier's Joy | 00:00 Tools | |
40988880 | Play | Airbus Breakdown | 00:00 Tools | |
40988882 | Play | Mush | 00:00 Tools | |
40988883 | Play | Mole In The Ground | 00:00 Tools | |
40988881 | Play | Midnight March | 00:00 Tools | |
40988879 | Play | Be My Little Widow (Live) | 00:00 Tools | |
40988887 | Play | I Will Still Be Your Man | 00:00 Tools | |
40988886 | Play | Dig Up The Hatchet | 00:00 Tools | |
40988889 | Play | The Woman You've Become | 00:00 Tools | |
40988888 | Play | Them Eyes | 00:00 Tools | |
40988892 | Play | I'll Only Let You Down | 00:00 Tools | |
40988893 | Play | Anthem for the Gone | 00:00 Tools | |
40988890 | Play | No April Sun | 00:00 Tools | |
40988891 | Play | Cantelope Blues | 00:00 Tools | |
40988894 | Play | Gunshy | 00:00 Tools | |
40988895 | Play | Another Dance | 00:00 Tools | |
40988896 | Play | Unfound | 00:00 Tools | |
40988897 | Play | Out of Nowhere | 00:00 Tools | |
40988899 | Play | Under the Matchlight | 00:00 Tools | |
40988900 | Play | Sky to Blue | 00:00 Tools | |
40988901 | Play | We Got Time | 00:00 Tools | |
40988898 | Play | Soldiers Joy | 00:00 Tools | |
40988903 | Play | All Eyes Down | 00:00 Tools | |
40988904 | Play | Heavy Black Bears Dream | 00:00 Tools | |
40988905 | Play | Pull Off Your Water | 00:00 Tools | |
40988902 | Play | Lonesome Road Blues | 00:00 Tools | |
40988909 | Play | She Aint Nobody's Baby (She's Somebody's Mama) | 00:00 Tools | |
40988906 | Play | Last Fair Deal Gone Down | 00:00 Tools | |
40988907 | Play | Cripple Creek | 00:00 Tools | |
40988908 | Play | Cindy | 00:00 Tools | |
40988913 | Play | She Ain't Nobody's Baby (She's Somebody's Mama) | 00:00 Tools | |
40988914 | Play | Lonesome Road Blues 1.aif | 00:00 Tools | |
40988911 | Play | Ball Turret Blues | 00:00 Tools | |
40988912 | Play | Slow Down I'm In A Hurry | 00:00 Tools | |
40988910 | Play | Little Bo Beep | 00:00 Tools | |
40988915 | Play | Carrick Band | 00:00 Tools | |
40988916 | Play | Slow Down, I'm in a Hurry | 00:00 Tools | |
40988917 | Play | Jacass Blues | 00:00 Tools | |
40988918 | Play | Little Bo Peep.aif | 00:00 Tools | |
40988919 | Play | Cotton Eye Joe | 00:00 Tools | |
40988920 | Play | tomdooley | 00:00 Tools | |
40988921 | Play | 5 Audio Track.aiff | 00:00 Tools | |
40988922 | Play | Movement.aif | 00:00 Tools |
PHILLIP ROEBUCK is a Virginia-born, New York-bred songster and bare bones one-man band. With punk rock intensity, Roebuck stomps out beats on a classic, depression-era drum apparatus, while strumming the banjo with a fierce ragged-but-right style. Some might call it Roots music for the new millennium. Although he has played over a thousand shows in venues and on festival stages in the U.S. and Europe, Roebuck can just as easily be seen performing on a street corner in New Orleans or New York City or Norfolk, where he has spent nearly a decade honing his skills as a one-man band. Roebuck was born in Norfolk, VA into a huge musical family (“I think I have 60 cousins, something like that”), so big that they have a music festival every July out in Pungo, a rural county of his hometown, Virginia Beach. He was also an only child. His father, a singer-songwriter, moved Roebuck and his mother, then a hairstylist, traveled around the country in pursuit of a musical career. By the time they moved back to Virginia Beach, when Roebuck was in junior high, he had attended 19 different schools. In high school Roebuck was versatile; surfing, performing in theater, and by then, he was also performing in clubs he wouldn’t have been allowed into otherwise. He was also constantly songwriting. “It always just flowed for me, although the better songs were harder to come by…but you write 10 or 12 of them and boom, you find a good one.” Roebuck was influenced by folk (Cat Stevens, Jim Croce, and the music his father was making) as well as punk rock. Punk he was introduced to by his Uncle Kenny, whose band had once opened up for the Ramones. After high school, Roebuck went to Philly to attend acting school. After a couple years, he quit, moved back to Hampton Roads, and started his first band, The Hollowbodies, with his cousin Shea Roebuck. In 1993 the two moved to New York and not much later signed with A&M Records. Phillip also signed as a songwriter for Warner Brothers. He was only 23. But then the label was bought by Universal the same month The Hollowbodies’ debut single was to be released. One minute the Roebucks were ready to hear their songs on the radio, get the acclaim they so wanted. And the next, there was nothing. After The Hollowbodies split, Roebuck started performing in the New York City streets. He taught himself to play the banjo by playing for 8 hours a day every day for 30 days in a row, down in the subway. And slowly, he started building the one-man band, adding in whatever he needed to get the job done; a suitcase as a bass drum, drums on his back, a cymbal here or there. Come to find out he was once hired by Spike Lee to perform in a commercial and talk about being a street musician–the spot aired during the 2000 Academy Awards. “Playing on the street has always been a holy thing to me. Those are real musicians. It was never the opposite, like, oh that’s pan-handling–which some people see it that way. It was always, to me, the pinnacle. If you could play in the street, you must be really good.” He started playing with a band called Brooklyn Browngrass. He fell in love in Brooklyn, married, and had two babies. He then left Brooklyn and moved to LA in 2003 to pursue acting. “It was awesome. I was doing really well in LA. My acting career was taking off, my music was jamming, I was going to Europe a lot. Good things were happening. And then my wife left me. Took the babes. Moved back to Seattle, left me in LA. And it shattered me.” He wrote Fever Pitch in his sadness, and in 2006 he impressed audio engineer Steve Albini who offered to record it. He moved back to New York for another short period of time. Then he got sick and moved back to his home in Virginia. In the course of all that time Roebuck recorded five solo albums and over a dozen more with numerous bands. In 2009, he wrote an operetta for Julliard. Phillip Roebuck has built a recording studio at his mother’s home in Hampton Roads, but you can still find him playing the streets of Norfolk with his quintessential folk/punk sound. http://www.philliproebuck.com/ Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.