Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
41111226 | Play | Gimme Shelter | 00:00 Tools | |
41111266 | Play | Gimme Shelter (Single Version) | 00:00 Tools | |
41111227 | Play | The Music Box | 00:00 Tools | |
41111228 | Play | I Got A Thing For You Daddy | 00:00 Tools | |
41111229 | Play | Play With Fire | 00:00 Tools | |
41111230 | Play | Your Love Been So Good To Me | 00:00 Tools | |
41111232 | Play | Suburban Family Lament | 00:00 Tools | |
41111233 | Play | The Medal | 00:00 Tools | |
41111231 | Play | Your Love Has Been So Good To Me | 00:00 Tools | |
41111234 | Play | Hare Krishna | 00:00 Tools | |
41111236 | Play | Thanks for the Birthday Card | 00:00 Tools | |
41111235 | Play | Crying Has Made Me Stronger | 00:00 Tools | |
41111237 | Play | The Silent Boatman | 00:00 Tools | |
41111238 | Play | No Commitment | 00:00 Tools | |
41111239 | Play | To William in the Night | 00:00 Tools | |
41111240 | Play | Don't You Wish You Had (What You Had When You Had It) | 00:00 Tools | |
41111241 | Play | A Gift of Me | 00:00 Tools | |
41111242 | Play | Prologue: Child of the North | 00:00 Tools | |
41111243 | Play | Heaven | 00:00 Tools | |
41111244 | Play | don't you wish you had | 00:00 Tools | |
41111245 | Play | I gotta thing for you daddy | 00:00 Tools | |
41111250 | Play | Gimme Shelter (Ashley Beedle Re-Edit) | 00:00 Tools | |
41111246 | Play | Haré Krishna | 00:00 Tools | |
41111247 | Play | Win Or Lose | 00:00 Tools | |
41111249 | Play | Don't YOu Wish You Had (What You Had When You Had It?) | 00:00 Tools | |
41111248 | Play | Milky Way Man | 00:00 Tools | |
41111256 | Play | Prologue- Child Of The North | 00:00 Tools | |
41111251 | Play | Un Bel Di (One Fine Day) | 00:00 Tools | |
41111252 | Play | Cliches | 00:00 Tools | |
41111253 | Play | Take Me To Baltimore | 00:00 Tools | |
41111264 | Play | Un Bel Di | 00:00 Tools | |
41111260 | Play | A Gift Of Me (Single Version) | 00:00 Tools | |
41111254 | Play | Here You Come Again | 00:00 Tools | |
41111262 | Play | No Commitment (Single Version) | 00:00 Tools | |
41111255 | Play | Oh Baby | 00:00 Tools | |
41111257 | Play | Senses | 00:00 Tools | |
41111258 | Play | Some Hearts Need To Sing The Blues | 00:00 Tools | |
41111259 | Play | Gimmie Shelter | 00:00 Tools | |
41111270 | Play | Hare Krishna (Single Version) | 00:00 Tools | |
41111261 | Play | Gimme Shelter (Rolling Stones cover) | 00:00 Tools | |
41111263 | Play | If You Dont Want My Love | 00:00 Tools | |
41111265 | Play | The Music Box (Single Version) | 00:00 Tools | |
41111268 | Play | The Music Box (Album Version) | 00:00 Tools | |
41111277 | Play | Don't You Wish You Had (What You Had When You Had | 00:00 Tools | |
41111267 | Play | Un Bel Di (from Madame Butterfly) | 00:00 Tools | |
41111282 | Play | Hare Krishna [Album Version] | 00:00 Tools | |
41111269 | Play | [Break 4] | 00:00 Tools | |
41111273 | Play | Un Bei Di | 00:00 Tools | |
41111271 | Play | If You Don't Want My Love | 00:00 Tools | |
41111272 | Play | Music Box | 00:00 Tools | |
41111275 | Play | Prologue - Child of the North | 00:00 Tools | |
41111281 | Play | Gimme Shelter [Album Version] | 00:00 Tools | |
41111274 | Play | No Commitment (Album Version) | 00:00 Tools | |
41111276 | Play | Gimmie Shelter (1972) | 00:00 Tools | |
41111278 | Play | Gimme Shelter - Ruth Copeland | 00:00 Tools | |
41111280 | Play | child of the north | 00:00 Tools | |
41111284 | Play | Don’t You Wish You Had (What You Had When You Had It) | 00:00 Tools | |
41111279 | Play | Your love been so good | 00:00 Tools | |
41111283 | Play | A Gift Of Me (Album Version) | 00:00 Tools | |
41111286 | Play | The Music Box (Single Version) | 00:00 Tools | |
88355468 | Play | Gimme Shelter [Single Version] | 00:00 Tools | |
41111285 | Play | ruth copeland(feat. parliament)-14-play with fire | 07:32 Tools | |
88355469 | Play | Hare Krishna [Single Version] | 00:00 Tools | |
90020501 | Play | Gimme Shelter (Album Version) | 00:00 Tools | |
41111287 | Play | ruth copeland(feat. parliament)-08-i got a thing for your daddy | 02:58 Tools | |
41111288 | Play | ruth copeland(feat. parliament)-06-to william in the night | 00:00 Tools |
A blues folk singer born in Durham, England, Ruth Copeland first came to attention after marrying Jeffrey Bowen, a staff producer at Motown. When Bowen followed songwriters Holland-Dozier-Holland over to their own Invictus label in 1970, Copeland was one of his first signings as she joined the fledgling vocal group New Play to become the label's first white performer. Collaborating with Edith Wayne and future P-Funk producer Ron Dunbar, Copeland wrote The Music Box, New Play's debut single, and the second ever Invictus release. However, the group broke up soon after it's release and Copeland began planning for a solo career. She struck up an unlikely partnership with George Clinton and became a massively influential force on Parliament's debut album, 1971's Osmium. Not only did she co-produce the sessions, she also wrote what remain two of the most bizarre (and decidedly unfunky) songs in that band's entire repertoire, the haunting Little Old Country Boy and The Silent Boatman. Two further songs, Come In Out of the Rain (co-written with Clinton) and Breakdown (with Clinton and Clyde Wilson) appeared as Parliament singles in 1971 and 1972. Copeland's partnership with Clinton naturally flowed into her solo career. Viewed today as a virtual twin of Osmium, her Self Portrait debut featured contributions from Eddie Hazel, Lucius Ross, Bernie Worrell, Billy "Bass" Nelson, Tiki Fulwood, and Clinton himself, while the co-writes included a new version of the epic The Silent Boatman. Late 1971 brought the release of Copeland's second album, I Am What I Am, recorded with many of the same musicians as its predecessor, only now they were her own band. In an odd twist, Hazell, Worrell, Fulwood, and Nelson had all quit Parliament/Funkadelic, but remained together to back Copeland, first in the studio and then on tour as she promoted the album. The tour was a success; the shows were solid and the audiences receptive. Unfortunately, Copeland quickly found herself in an uncomfortable position. Touring as support to Sly Stone, she took to introducing her band as Funkadelic - much to the headliner's annoyance. The last straw came when she allowed the band to take one of her encores. Stone insisted she either leave the tour or lose the band. She lost the band. Following her solo success in 1971 and 1972, Copeland faded from the spotlight. She would re-emerge briefly in 1976 with her third album, Take Me to Baltimore, but it did little and she once more retreated into shadow. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.