Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
82454771 | Play | In Visio | 00:00 Tools | |
82454772 | Play | Sea In You | 00:00 Tools | |
82454773 | Play | Everything You Can See Through A Little Hole | 00:00 Tools | |
82454774 | Play | Cipher | 00:00 Tools | |
82454775 | Play | Ool | 00:00 Tools | |
82454776 | Play | Errorbook | 00:00 Tools | |
82454777 | Play | A Few Walks | 00:00 Tools | |
82454778 | Play | Opside | 00:00 Tools | |
82454779 | Play | read #2 | 00:00 Tools | |
82454780 | Play | read #1 | 00:00 Tools | |
82454781 | Play | read #a | 00:00 Tools | |
82454782 | Play | read #3 | 00:00 Tools | |
82454783 | Play | read #0 | 00:00 Tools | |
82454784 | Play | read #read | 00:00 Tools | |
82454785 | Play | readme #2 | 00:00 Tools | |
82454786 | Play | read #4 | 00:00 Tools | |
82454787 | Play | read #5 | 00:00 Tools | |
82454788 | Play | readme #1 | 00:00 Tools | |
82454789 | Play | See In You | 00:00 Tools | |
82454791 | Play | Vento Ignis | 00:00 Tools | |
82454790 | Play | read #prelude | 00:00 Tools | |
82454792 | Play | 200 | 00:00 Tools | |
82454793 | Play | Scorch | 00:00 Tools | |
82454794 | Play | read me #1 | 00:00 Tools | |
82454795 | Play | 06_rokkasho-main video | 00:00 Tools | |
82454796 | Play | Memoria | 00:00 Tools | |
82454797 | Play | 2:00 | 00:00 Tools | |
82454798 | Play | Live Performance - Ryoichi Kurokawa | 00:00 Tools | |
82454799 | Play | Read A | 00:00 Tools | |
82454800 | Play | Read 4 | 00:00 Tools | |
82454801 | Play | read #3 | 00:00 Tools | |
82454802 | Play | Read Read | 00:00 Tools | |
82454803 | Play | Oscillating Continuum | 00:00 Tools | |
82454804 | Play | Read 2 | 00:00 Tools | |
82454805 | Play | read #2 | 00:00 Tools | |
82454806 | Play | Vento Ignis.avi | 00:00 Tools | |
82454807 | Play | read 2 | 00:00 Tools |
Ryoichi Kurokawa is audiovisual artist living in Osaka. His works take on multiple forms such as screening works, recordings, installation and live performance. Kurokawa composes time based sculpture with digital generated materials and field recorded sources, and the minimal and the complexities coexist there. Kurokawa accepts sound and imagery as a unit not as separately, and constructs very exquisite and precise computer based works with the audiovisual language. That shortens mutual distance, the reciprocity and the synchronization of sound and visual composition. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.