Tamer Abu Ghazaleh

Trackimage Playbut Trackname Playbut Trackname
Takhabot 00:00 Tools
Namla 00:00 Tools
7ob 03:29 Tools
Fajrolbeed 00:00 Tools
Mir'ah 05:47 Tools
Hob 00:00 Tools
Dawameh 00:00 Tools
AlShibak 00:00 Tools
El Ghareeb 00:00 Tools
Alameh 00:00 Tools
Hawel Ya Ghannam 00:00 Tools
Helm 00:00 Tools
Sokoot 00:00 Tools
Khabar Ajel 00:00 Tools
El Balla'at 00:00 Tools
Hawwel Ya Ghannam 00:00 Tools
Takhabot (Clamour) 00:00 Tools
7ob (Love) 00:00 Tools
Alshibak (Net) [feat. Rabea Jubran] 00:00 Tools
Fajrol Beed فجر البيد 00:00 Tools
Mir'ah (Mirror) 00:00 Tools
Dawameh (Vortex) 00:00 Tools
El Khad 00:00 Tools
Sokoot (Silence) [feat. Rabea Jubran] 00:00 Tools
Breaking News 00:00 Tools
Al Shibak 00:00 Tools
فجر البيد 00:00 Tools
خبر عاجل 00:00 Tools
Dubai 00:00 Tools
حب 00:00 Tools
Fajrol Beed 00:00 Tools
Fajrolbeed تامر أبو غزالة - فجر البيد 00:00 Tools
Mahragan El balla3at 00:00 Tools
El Balla'at تامر أبو غزالة - البلاعات 00:00 Tools
El Khad تامر أبو غزالة - الخد 00:00 Tools
Khabar Ajel خبر عاجل 00:00 Tools
Mahragan el Balla3at - مهرجان البلاعات 00:00 Tools
Fajrol Beed (Demo Version) فجر البيد 00:00 Tools
01 fajrolbeed 00:00 Tools
El Insan Wel Insana 00:00 Tools
Ah Mel Ekhwan 00:00 Tools
Namla تامر أبو غزالة - نملة 00:00 Tools
el balla at 00:00 Tools
Hawwel 00:00 Tools
مهرجان البلاعات 00:00 Tools
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Is a composer of alternative Arabic music, and an Oud, Buzuq, and vocal performer. The lyrics in his compositions are in formal (fus-ha), Palestinian, or Egyptian dialect, written by himself or by Arab poets. The lyrics, in general, are not directed towards a specific theme; they express an array of human experience that is not defined by time or place: love, challenge, insecurity, boredom, thrill, frustration, etc. Tamer's music absorbs the lyrics, chews them, re-arranges their perspective, and bursts them as expressive originals that are certainly defined by time and place; the current time; Palestine. If the lyrics speak of love and passion, the music speaks of love separated by the Apartheid Wall and passion under siege. This link seems inevitable for any honest musical expression throughout the Palestinian musical scene, even if it is not evident at the first glance. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.