The Pauses

Trackimage Playbut Trackname Playbut Trackname
Digital Detox 00:00 Tools
The Best for the Most for the Least 00:00 Tools
Go North 00:00 Tools
Beyond Bianca 00:00 Tools
The Leap Year 00:00 Tools
Hands Up 00:00 Tools
The Migration 00:00 Tools
Goodbye, Winthorpe 00:00 Tools
Pull the Pin 00:00 Tools
Little Kids 00:00 Tools
Don't Wake Me Up 00:00 Tools
The Beginnings of Things 00:00 Tools
Eventually, Everything Connects 00:00 Tools
Had / Have 00:00 Tools
The Means 00:00 Tools
Heart of the Steal 00:00 Tools
Animus? 00:00 Tools
Formerly 00:00 Tools
Christmas Time Is Here 00:00 Tools
The Best for the Most for the Least - Audiotree Live Version 00:00 Tools
Don't Wake Me Up - Audiotree Live Version 00:00 Tools
Eventually, Everything Connects - Audiotree Live Version 00:00 Tools
Digital Detox - Audiotree Live Version 00:00 Tools
Had / Have - Audiotree Live Version 00:00 Tools
Beyond Bianca - Audiotree Live Version 00:00 Tools
Heart of the Steal - Audiotree Live Version 00:00 Tools
Had/Have 00:00 Tools
Go North Final 00:00 Tools
The Pauses - Go North 00:00 Tools
The Pauses - The Beginnings of Things 00:00 Tools
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Despite amassing a following, scene status, and praise from regional press right out of the gate, Orlando indie-rock band The Pauses release their debut album A Cautionary Tale after only about, oh, TWO YEARS of existence. The official excuse is something about wanting do to things "properly." So they saved money through a successful Kickstarter campaign (a marvel since their fans' bank accounts have a perfectly inverse relationship with their obvious wealth in taste) and headed up to Baltimore to record their proper debut at Magpie Cage Studios with the legendary J. Robbins (Jawbox, Burning Airlines), even enlisting three-quarters of the dude's own band. His wife, too? Sure, why not. Produced, engineered, and mixed by Robbins, mastered by T.J. Lipple (Aloha) and featuring guest appearances from members of Deleted Scenes, Office of Future Plans and Channels, A Cautionary Tale is an exercise in complexion and combination, a world where guitars are BFFs with synthesizers, horns, bells, and ukuleles. Simply put, The Pauses got mad range, often in the same song. Rooted in the dynamics and ethos of '90s indie rock, their sound is a balancing act between rock and electronics, airiness and heft, suppleness and angularity. An album that you can explore without losing your core. So, with appropriately twirly hand motion, we introduce The Pauses: Tierney Tough (vocals, Rhodes, bass) Jason Kupfer (ukulele, Rhodes, piano, guitar, footbells, electronics) Nathan Chase (percussion, drums) "[The Pauses'] sound is a bubbly and deceptively complex blend of analog synths, full-bodied harmonies and off-kilter, noise-flecked structures. The Pauses weave driving indie rock, post-punk and twee pop into their songs, and the result is both familiar and unique." - REAX "While every other indie-pop act in town chases cuteness, there's maturity, elegance and gravitas in what the Pauses do. ...This Orlando trio is one of the most complete and fundamentally sound indie bands in Central Florida." - Orlando Weekly A Cautionary Tale on Tampa, FL's New Granada Records (ie. Jen Wood, New Roman Times, Candy Bars etc.) www.newgranada.com Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.