Weishan Liu

Trackimage Playbut Trackname Playbut Trackname
Polly's Journey 07:03 Tools
Teals on a Lonely Shore 06:06 Tools
Parade of the Champion Scholar 01:45 Tools
High Mountain Flowing Stream 05:55 Tools
Lullaby 04:01 Tools
Autumn Moon Over Serene Lake 05:14 Tools
Three Variations On Plum Blossom 04:36 Tools
Little Birds 02:12 Tools
Emerging Lotus 04:28 Tools
Moonlight Over Spring River 10:00 Tools
Busy Weaving 02:46 Tools
Song of the Returning Fishermen 04:51 Tools
Embroidering the Golden Banner 04:02 Tools
Great Ocean 10:49 Tools
Dance of the Yi Tribe 07:39 Tools
Morning Bell 08:24 Tools
Lover's Tears 04:24 Tools
Qin Rhapsody 06:03 Tools
Plum Blossom 05:13 Tools
Quest 04:28 Tools
The Magnificent Bronze Gorge 05:11 Tools
Market Day 02:46 Tools
Galloping on the Grassland 04:57 Tools
The Courtesan's Lament 04:53 Tools
Celebrating the Lantern Festival 04:51 Tools
Thousand Pieces Of Gold 04:57 Tools
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Weishan Liu (劉維姍) is a guzheng master performer, composer and educator. She was born in China and began training in the classical style of the guzheng from the age of eleven when the acclaimed guzheng master Cao Zheng (1920-1998) picked her as his student at the Shenyang Music Conservatory. She later also studied under Yan Li and Zhao Yuzhai. Her breakthrough came at the 1974 Chinese national traditional music competition where, playing her original composition "The Magnificent Bronze Gorge", she won first prizes in both the composition and performance categories. She went on to become the top guzheng soloist at the Central Song and Dance Ensemble of China, making recordings and performing and touring with them, as well as often performing for visiting heads of state. Liu moved to the United States in 1982 and continued performing her unique style of guzheng music. She has performed with the Chinese Orchestras of Berkeley and Los Angeles, as well as with the Bay Area Women’s Philharmonic Orchestra, the Palo Alto Philharmonic Orchestra, and she has performed composer Chen Yi’s modern compositions with the ensemble Earplay. She was a pioneer in the teaching of guzheng overseas. Over the past two decades she has trained well over a thousand students, many of whom have become professional performers and teachers themselves. She also founded the "San Francisco Guzheng Music Society" to promote the music of the guzheng and traditional Chinese music and culture. This organization conducts many community concerts and educational programs, including an annual concert in San Francisco with a different theme every year, and it frequently invites Chinese and Western musicians to showcase their talents. In 1988, Liu made her first solo guzheng recording, The Magnificent Bronze Gorge, featuring the title song, her signature composition. She also recorded an ensemble album with the Dun Huang Music Ensemble in 1994 titled High Moon. She made three more ensemble recordings in 1994 for the Wind Record Company: Masterpieces of Chinese Songs of the 30s, Masterpieces of Chinese Folksongs, and Masterpieces of Chinese Traditional Music. She has participated in other recordings as well. Liu has also lent her expertise to recording soundtracks for films such as Thousand Pieces of Gold, Indiana Jones & the Temple of Doom, Dim Sum, Eat A Bowl of Tea, Five Chinese Brothers, The Round Eyes in the Twentieth Century, Dragon: The Bruce Lee Story, and Motherland. In 2005, she recorded an arrangement of some of the Thousand Pieces of Gold themes with pianist George Winston for the album Cinema: A Windham Hill Collection. Liu has toured the United States as well as more than 20 countries. She has recently started extensively recording her solo repertoire and new solo arrangements and compositions. Her second solo CD, Morning Bell, was released in April 2006. Her latest CD, Great Ocean, was recorded in 2007 by Fred Kurz in the beautiful Basilique Saint-Sernin de Toulouse and Abbaye Sainte Marie du Desert in southern France. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.