ali barter

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Girlie Bits 00:00 Tools
Cigarette 00:00 Tools
Live With You 00:00 Tools
Far Away 00:00 Tools
Hypercolour 00:00 Tools
Please Stay 00:00 Tools
The Captain 00:00 Tools
Ur A Piece Of Shit 00:00 Tools
Backseat 00:00 Tools
One Foot In 00:00 Tools
Light Them On Fire 00:00 Tools
Community 00:00 Tools
Tokyo 00:00 Tools
January 00:00 Tools
History Of Boys 00:00 Tools
Run You Down 00:00 Tools
Big Ones 00:00 Tools
Delilah 00:00 Tools
Walk/Talk 00:00 Tools
Blood 00:00 Tools
Lester 00:00 Tools
Ode 2 Summa 00:00 Tools
At Sea 00:00 Tools
Cocktail Bar 00:00 Tools
Magoo 00:00 Tools
It's Not Real 00:00 Tools
Are You Happy Now? 00:00 Tools
I Ask For So Little 00:00 Tools
This Girl 00:00 Tools
I Won't Lie 00:00 Tools
If You Go 00:00 Tools
Fire At Night 00:00 Tools
Riding Bikes At Night 00:00 Tools
Madurai 00:00 Tools
Marigold 00:00 Tools
Issues (615 Sessions) 00:00 Tools
Run You Down - Oisima Remix 00:00 Tools
Backseat (615 Sessions) 00:00 Tools
Ur A Piece Of S**t 00:00 Tools
Run You Down (Oisima Remix) 00:00 Tools
Walk / Talk 00:00 Tools
'Cause I'm A Man {triple j Like A Version 2016} 00:00 Tools
Little Bruises 00:00 Tools
Cause I'm a Man 00:00 Tools
Run You Down 2.0 (Recorded Live by FBi Radio) 00:00 Tools
I Touch Myself (Amazon Original) 00:00 Tools
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Influences include: Jack Ladder, Fleetwood Mac, Cat Power, Warpaint, PJ Harvey, Loudon Wainwright The easy path attracts a lot of people. Melbourne based singer-songwriter Ali Barter is not one of them. In these on-demand times of overhyped pop idols and dubiously talented Internet sensations, Ali possesses the natural chops to have garnered instant attention years ago. But the classically trained soprano, with a decade of choral experience, abruptly quit music in her late teens to become a self-proclaimed 'ragbag' and itinerant world traveller. Having been exposed to a pantheon of 20th Century musical genius in her upbringing - Frank Sinatra, Cole Porter, George Gershwin, Patsy Cline - she credits the brilliant, notoriously tortured Cat Power with providing the spark that re-ignited her original passion. Raised by a Buddhist mother and a Catholic father in a Jewish neighbourhood (all whilst attending a Methodist school), she found herself craving the 'sense of community' she observed in all the above religions. At long last, in the late 2000s, she 'found it in music' - the timeless last refuge of the vagabond since time immemorial. As a result; the stakes were always going to be too high for taking short cuts. Ali embraced the hard graft of the generally glamour-free open-mic circuit. She threw herself into the solitary interior enterprise of writing her own songs and painstakingly practicing her own unique style of guitar playing, recording her debut EP 'Trip' in 2012 with local producer MATIK. The EP caught the attention of national radio broadcaster triple j and earned Ali a coveted spot at the 2013 Laneway Festival in Melbourne, and from there she built her following up and down the east coast of Australia, sharing the stage with acts such as The Rubens, Cloud Control, Alpine, High Highs and Holy Holy. Ali's clear, pure tone has a habit of elevating every note she sings, evoking comparisons to a long list of acclaimed singer songwriters - the afore-mentioned Cat Power, but also Sharon Van Etten and Bat For Lashes. Now, with her follow up single (a reintroduction, if you like). Entitled 'Community', with it's rolling groove and dusky vocals, this is a rousing, jangling confession; as Barter says, it is a 'surrender to everything that we use to feel a part of the world'. ‘Community’ is taken from Ali’s new EP of the same name which was co-written and produced by Oscar Dawson (one half of folk/rock duo Holy Holy). After meeting in early 2013, the pair performed around Melbourne and embarked on several east-coast sojourns. During this period, Dawson fell in love with the songs, and so the pair began a far-reaching creative collaboration. Says Barter, ‘…I would start playing one of my songs, and Oscar would start playing along… and it was like the other half of the song would just appear. It was like the missing piece of the puzzle.’ Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.