Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
30741590 | Play | Here Comes the Judge | 02:40 Tools | |
88023652 | Play | Who Got the Number | 02:43 Tools | |
30741592 | Play | Here Come The Judge | 03:04 Tools | |
30741593 | Play | See See Rider | 02:53 Tools | |
30741595 | Play | Your Wire's Been Tapped | 00:00 Tools | |
30741594 | Play | Let's Have Some Heat | 02:18 Tools | |
30741603 | Play | Your Wife Is Dirty | 04:54 Tools | |
30741625 | Play | Sock It To 'Em Judge | 02:56 Tools | |
69531785 | Play | I Got The Number | 00:36 Tools | |
30741598 | Play | Introduction | 00:36 Tools | |
30741602 | Play | The Trial | 13:08 Tools | |
30741599 | Play | The Hip Judge | 02:33 Tools | |
30741596 | Play | Here Comes The Judge + The Trial - 1968 45rpm | 00:30 Tools | |
69531787 | Play | The News Reporter | 02:16 Tools | |
30741618 | Play | Fast News | 01:10 Tools | |
30741631 | Play | The Peeping Tom | 08:16 Tools | |
30741626 | Play | The Crap-Shootin' Rev | 06:46 Tools | |
30741604 | Play | Pig's Popcorn | 02:21 Tools | |
30741627 | Play | Frisco Kate | 03:30 Tools | |
30741642 | Play | I Got The Number - Live At Howard Theater/1962 | 02:13 Tools | |
30741622 | Play | My Wife, I Ain't Seen Her | 09:35 Tools | |
30741643 | Play | Open The Door Richard | 08:23 Tools | |
30741633 | Play | Your wires have been tapped | 02:22 Tools | |
69531786 | Play | Indian Time | 02:22 Tools | |
30741605 | Play | We Got the Number | 02:16 Tools | |
30741613 | Play | Who got the | 02:16 Tools | |
69531788 | Play | The Double Crosser | 00:00 Tools | |
30741612 | Play | The Blackboard | 12:59 Tools | |
30741601 | Play | Here Comes The Judge (Fajita Funk re-tweak) | 00:00 Tools | |
30741600 | Play | Here Comes The Judge (1968) | 00:00 Tools | |
30741610 | Play | My Wife? I Ain't Seen Her | 09:28 Tools | |
69531790 | Play | Reachin' the Blues | 02:08 Tools | |
69531794 | Play | Signifying Baby Seal | 09:08 Tools | |
88023655 | Play | Intro & The Preacher | 12:59 Tools | |
69531796 | Play | Canadian Dime | 09:08 Tools | |
88023653 | Play | The Happiest Woman | 00:00 Tools | |
69531791 | Play | Who Got The Number [The Number Song] | 02:08 Tools | |
30741617 | Play | Sock It To Em Judge | 00:00 Tools | |
69531789 | Play | Grandma | 00:00 Tools | |
30741597 | Play | Who Got The Number | 02:08 Tools | |
69531792 | Play | The Ironman Trial-Athlon | 02:08 Tools | |
30741614 | Play | The Crap-Shootin' Reverend | 06:47 Tools | |
30741606 | Play | The Preacher | 09:08 Tools | |
69531801 | Play | Sock It To ‘Em Judge | 12:59 Tools | |
88023656 | Play | Love Makin' Bureau | 12:59 Tools | |
69531793 | Play | The Race Horse | 06:47 Tools | |
69531797 | Play | Pigmeat Markham | 12:59 Tools | |
88023654 | Play | Sock it to 'em judge ® | 12:59 Tools | |
69531798 | Play | The Hip Cucko | 12:59 Tools | |
69531795 | Play | Checkers | 09:08 Tools | |
88023663 | Play | The Camera | 12:59 Tools | |
69531799 | Play | Intro. / The Preacher | 12:59 Tools | |
88023657 | Play | Intro | 12:59 Tools | |
89800486 | Play | Open the door Richard! | 12:59 Tools | |
88023658 | Play | The Party | 12:59 Tools | |
69531800 | Play | Signifying Baby Seals | 12:59 Tools | |
88023659 | Play | The Judge | 12:59 Tools | |
88023660 | Play | Country Boy | 12:59 Tools | |
88023661 | Play | Hello Bill | 12:59 Tools | |
88023662 | Play | Buzzin' The Bee | 12:59 Tools | |
69531802 | Play | Signifying Monkey | 12:59 Tools |
Dewey "Pigmeat" Markham (April 18, 1904 – December 13, 1981) was an American entertainer. Though best known as a comedian, Markham was also a singer, dancer, and actor. His nickname came from a stage routine, in which he declared himself to be "Sweet Poppa Pigmeat." He was sometimes credited in films as David "Pigmeat" Markham. He was born in the community of Hayti, Durham, North Carolina. His family was the most prominent on their street, which came to be called (and later officially named) Markham Street in the Hayti District. Markham began his career in traveling music and burlesque shows. For a time he was a member of Bessie Smith's Traveling Revue in the 1920s. Later, he claimed he originated the Truckin' dance which became nationally popular at the start of the 1930s. In the 1940s he started making film appearances. In 1964 he recorded "Open the Door, Richard". Markham was a familiar act at New York's famed Apollo Theater where he wore blackface makeup and huge painted white lips, despite complaints the vaudeville tradition was degrading. He probably played at the Apollo more frequently than any other performer. Starting in the 1950s Pigmeat Markham began appearing on television, making multiple appearances on The Ed Sullivan Show. His boisterous, indecorous "heyeah (here) come da judge" schtick, which made a mockery of formal courtroom etiquette, became his signature routine. Markham would sit at an elevated judge's bench (often in a black graduation cap-and-gown, to look more impressive), and deal with a series of comic miscreants. He would often deliver his "judgments", as well as express frustration with the accused, by leaning over the bench and smacking the accused with an inflated bladder-balloon. He had hit comedy recordings in the 1960s on Chess Records, and saw his routine's entry line become a catchphrase on the Rowan & Martin's Laugh-In television show, as did his phrase "Look that up in your Funk and Wagnalls". Markham's most famous routine was "discovered" by the general public only after Sammy Davis, Jr. had performed it as a guest on Laugh-In. Due to the years of racial segregation in the entertainment world, he was not widely known by white audiences, and had almost exclusively performed on the "chitlin' circuit" of vaudeville, theatres, and night clubs and appeared in several race films, including William D. Alexander's 1949 revue film Burlesque in Harlem, which documented the chitlin' circuit. The success of Davis's appearance led to Markham's opportunity to perform his signature Judge character during his one season on Rowan & Martin's Laugh-In. Archie Campbell later adapted Markham's routine, performing as "Justus O'Peace," on the country version of Laugh-In, Hee Haw, which borrowed heavily from the minstrel show tradition. Markham has been cited as one of the progenitors of rap music. Thanks to his Heyeah come da judge routine, which originally was accompanied by music with a funky beat, Pigmeat Markham is regarded as a forerunner of rappers. His song "Here Comes The Judge" peaked at number 19 on the Billboard and other charts in 1968. He published an autobiography, Here Come the Judge!, in the wake of his Laugh-In success. Markham died of a stroke at Montefiore Medical Center in the Bronx at the age of 77. He is buried in Woodlawn Cemetery in the Bronx. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.