Pigmeat Markham

Trackimage Playbut Trackname Playbut Trackname
Here Comes the Judge 02:40 Tools
Who Got the Number 02:43 Tools
Here Come The Judge 03:04 Tools
See See Rider 02:53 Tools
Your Wire's Been Tapped 00:00 Tools
Let's Have Some Heat 02:18 Tools
Your Wife Is Dirty 04:54 Tools
Sock It To 'Em Judge 02:56 Tools
I Got The Number 00:36 Tools
Introduction 00:36 Tools
The Trial 13:08 Tools
The Hip Judge 02:33 Tools
Here Comes The Judge + The Trial - 1968 45rpm 00:30 Tools
The News Reporter 02:16 Tools
Fast News 01:10 Tools
The Peeping Tom 08:16 Tools
The Crap-Shootin' Rev 06:46 Tools
Pig's Popcorn 02:21 Tools
Frisco Kate 03:30 Tools
I Got The Number - Live At Howard Theater/1962 02:13 Tools
My Wife, I Ain't Seen Her 09:35 Tools
Open The Door Richard 08:23 Tools
Your wires have been tapped 02:22 Tools
Indian Time 02:22 Tools
We Got the Number 02:16 Tools
Who got the 02:16 Tools
The Double Crosser 00:00 Tools
The Blackboard 12:59 Tools
Here Comes The Judge (Fajita Funk re-tweak) 00:00 Tools
Here Comes The Judge (1968) 00:00 Tools
My Wife? I Ain't Seen Her 09:28 Tools
Reachin' the Blues 02:08 Tools
Signifying Baby Seal 09:08 Tools
Intro & The Preacher 12:59 Tools
Canadian Dime 09:08 Tools
The Happiest Woman 00:00 Tools
Who Got The Number [The Number Song] 02:08 Tools
Sock It To Em Judge 00:00 Tools
Grandma 00:00 Tools
Who Got The Number 02:08 Tools
The Ironman Trial-Athlon 02:08 Tools
The Crap-Shootin' Reverend 06:47 Tools
The Preacher 09:08 Tools
Sock It To ‘Em Judge 12:59 Tools
Love Makin' Bureau 12:59 Tools
The Race Horse 06:47 Tools
Pigmeat Markham 12:59 Tools
Sock it to 'em judge ® 12:59 Tools
The Hip Cucko 12:59 Tools
Checkers 09:08 Tools
The Camera 12:59 Tools
Intro. / The Preacher 12:59 Tools
Intro 12:59 Tools
Open the door Richard! 12:59 Tools
The Party 12:59 Tools
Signifying Baby Seals 12:59 Tools
The Judge 12:59 Tools
Country Boy 12:59 Tools
Hello Bill 12:59 Tools
Buzzin' The Bee 12:59 Tools
Signifying Monkey 12:59 Tools
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Dewey "Pigmeat" Markham (April 18, 1904 – December 13, 1981) was an American entertainer. Though best known as a comedian, Markham was also a singer, dancer, and actor. His nickname came from a stage routine, in which he declared himself to be "Sweet Poppa Pigmeat." He was sometimes credited in films as David "Pigmeat" Markham. He was born in the community of Hayti, Durham, North Carolina. His family was the most prominent on their street, which came to be called (and later officially named) Markham Street in the Hayti District. Markham began his career in traveling music and burlesque shows. For a time he was a member of Bessie Smith's Traveling Revue in the 1920s. Later, he claimed he originated the Truckin' dance which became nationally popular at the start of the 1930s. In the 1940s he started making film appearances. In 1964 he recorded "Open the Door, Richard". Markham was a familiar act at New York's famed Apollo Theater where he wore blackface makeup and huge painted white lips, despite complaints the vaudeville tradition was degrading. He probably played at the Apollo more frequently than any other performer. Starting in the 1950s Pigmeat Markham began appearing on television, making multiple appearances on The Ed Sullivan Show. His boisterous, indecorous "heyeah (here) come da judge" schtick, which made a mockery of formal courtroom etiquette, became his signature routine. Markham would sit at an elevated judge's bench (often in a black graduation cap-and-gown, to look more impressive), and deal with a series of comic miscreants. He would often deliver his "judgments", as well as express frustration with the accused, by leaning over the bench and smacking the accused with an inflated bladder-balloon. He had hit comedy recordings in the 1960s on Chess Records, and saw his routine's entry line become a catchphrase on the Rowan & Martin's Laugh-In television show, as did his phrase "Look that up in your Funk and Wagnalls". Markham's most famous routine was "discovered" by the general public only after Sammy Davis, Jr. had performed it as a guest on Laugh-In. Due to the years of racial segregation in the entertainment world, he was not widely known by white audiences, and had almost exclusively performed on the "chitlin' circuit" of vaudeville, theatres, and night clubs and appeared in several race films, including William D. Alexander's 1949 revue film Burlesque in Harlem, which documented the chitlin' circuit. The success of Davis's appearance led to Markham's opportunity to perform his signature Judge character during his one season on Rowan & Martin's Laugh-In. Archie Campbell later adapted Markham's routine, performing as "Justus O'Peace," on the country version of Laugh-In, Hee Haw, which borrowed heavily from the minstrel show tradition. Markham has been cited as one of the progenitors of rap music. Thanks to his Heyeah come da judge routine, which originally was accompanied by music with a funky beat, Pigmeat Markham is regarded as a forerunner of rappers. His song "Here Comes The Judge" peaked at number 19 on the Billboard and other charts in 1968. He published an autobiography, Here Come the Judge!, in the wake of his Laugh-In success. Markham died of a stroke at Montefiore Medical Center in the Bronx at the age of 77. He is buried in Woodlawn Cemetery in the Bronx. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.